$20,000-$30,000 FEATURE FILM (AKA: Shot-For)


The $1,000-$10,000 No-Budget Feature and the $10,000-$20,000 Credit-Card Feature are now covered. So let’s proceed to the $20,000-$30,000 Shot-For Feature Film… With, “Shot-For” being the key phrase. Why? Because “Shot-For” is most common phrase heard after someone states the movie’s budget was”$20,000 to $30,000″.


“EL MARIACJI” was “Shot-For”20,000-$30,000.

“CLERKS” was “Shot-For” $20,000-$30,000.

“PI” was “Shot-For” $20,000-$30,000.

“IN THE COMPANY OF MEN” was “Shot-For” $20,000-$30,000.

“BLAIR WITCH PROJECT” was “Shot-For” $20,000-$30,000.

“PARANORMAL ACTIVITY” was “Shot-For” $20,000-$30,000.

“SHOT FOR”, “SHOT FOR”, “SHOT FOR” what the heck is this phrase.

Answer is pretty simple.

When someone makes a feature film, and the budget is minimal, then the producer or director when asked “What was your budget” by press at a film festival panel, always kicks-in hype and pushes the budget down (deflates the budget) to as miniscule a number as possible, creating a marketable ploy, and proudly claims it was “SHOT-FOR”… which (insert) is usually a number close to $20,000.

Now, everyone thinks “This person is amazing… look what he/she did for only $20,000”. Yes, tThere is a little misleading going on here…and…Welcome to Hollywood and quite clearly what they are telling you is that they spent $20,000 to shoot a movie…

Once again, they are clearly stating what they/he/she spent to shoot-the-movie. They/he/she is not lying and thus they/he/she is still permitted to go to heaven.

However, they/he/she did say they/he/she made the movie for $20,000… They/he/she says they/he/she SHOT-THE-MOVIE (aka: Shot-For) for $20,000…$20,000 for a 1-week shoot to pay for crew & equipment, actors & food but none of that money went to lab, to post production, to music/score, to audio tracks, to insurance, to… etc.

It was Shot-For… Get it?

They are actually deflating the budget.

99.9% of the time Hollywood (the major studios) love to inflate the budget and announce massive budget like $100-$200 Million or as Cameron is now doing on the next “AVATARS”… he’s actually announced the budgets will amount to over $1 BILLION bucks. (give me a break).

Back to the Point: Hollywood (studios) like to inflate budgets to create a marketing concept and Independents (first-timers) like to deflate budgets to create a marketing concept.

Paranormal Activity


Quite simply “Shot-For” is the amount of money that was spent to physically do a 1-week shoot. Cast, Rehearse, Rent Camera, Secure Location, Hire small Crew, Pay actors, Feed everyone, Rent/Buy a couple of props and Pay for nominal wardrobe.

What “Shot For” is not, is the budget (aka: amount of money) that it truly cost to make the movie (the final print or DCP) that you are viewing at a movie theater.

“Shot-For” does not include (A) Lab Bill, (B) Equipment Return Costs, (C) Insurance, (D) Editing, (E) Music,, (F) ADR, (G) Foley, (H) Re-Recording Session, (I) M&E Track,, (J) Final Print, (K) E&O Insurance, etc.

“EL MARIACHI” was “Shot-For”, “CLERKS” was “Shot-For”. “BLAIR WITCH” was “Shot-For”. “PARANORMAL ACTIVITY” was “Shot-For”….

I think you’re getting the point.

FS-$89 (2) DSC_8143

THE $20,000-$30,000 “SHOT-FOR” FEATURE FILM

So how does this $20,000-$30,000 actually get spent?

FIRST: SCRIPT ($100-$200): Why $100-$200. Simple. Because you wrote it yourself and spent that amount of money on (A) Paper, (B) Printer Cartridge and (C) Software (Final Draft or Celtx)

SECOND: CAST ($2,000-$2,500) 6-8 Actors for 1-week (7-Day Shoot) at $500/week for Actor #1 and Actor #2 (aka: The Stars); $300 for Actor #3 (3-Day hire at $100/day), $400 for Actors #4 & #5 (both 2-day hires at $100/day) and $300 for Actors #6, #7 & #8 (each 1-Day hires at $100/day)

THIRD: SHOOT/LOCATION ($1,000-$2,000): Plan for 1-week at a single location or at the most at 2-3 locations within 3-4 blocks of each other. Spend $100-$200/day

FOURTH: CREW ($8,000-$9,000): For a 10-12 person Crew needed for 1-week, to include DP ($1,500), CO ($750), PM ($1,000), AD ($500), PD ($1,000), PD’s Assistant ($350), Sound Tech with Equipment ($1,000), Grip/Gaffer with equipment & Best Boy ($1,500), 4 PAs with trucks or vans ($250 each, $1,000)

FIFTH: CAMERAS ($3,000-$4,000): 2 Red 4K Cameras with lenses & monitor

SIXTH: EQUIPMENT ($0-$1,000): Soundman comes with Sound Equipment; Grip/Gaffer comes with the Lights, a Dolly & Generator (if needed). The $1,000 is budgeted for miscellaneous Hard Drives, Backups, Dollies, etc as needed

SIXTH: EXPENDABLES ($1,000-$2,000): Bunch of one-time-only stuff that the DP, CO, PM, PD, Grip & Gaffer might need such as Batteries, Filters, Gels, Tape, etc. Most of the time these key crew people have their own kits loaded with expendable so prior to hiring a Key ask him/her about their Kit and let them know that you assume they bring their kit to the set.

SEVETNTH: WARDROBE (0-$1,000): Wardrobe is contemporary and actors bring their own which you approve of during casting. At most an additional $1,000 might be needed for Sewing, Dry Cleaning and Shopping.

EIGHTH: PROPS ($0-$1,000): This is where your Production Designer has learned how to use the phrase Beg/Borrow/Steal. At most put in $1,000 for anything that is super-super needed and can’t be borrowed.

NINTH: FOOD ($2,000-$2,500): To feed 10-12 Crew and 6-8 Actors for 7 days at $20/day/person, plus a Keurig Coffee Maker and a Costco Card

TENTH: MISCELLANEOUS ($3,000-$5,000): There is a whole lot of stuff that I haven’t included that $3,000-$5,000 will cover when one knows how to Beg, Borrow & Liberate (notice I didn’t say steal)


You have now spent $20,000-$30,000 and “Shot” your feature film. However, there is going to be (A) Post Costs, (B) Lab Bills, (C) Audio Synchronization, (D) Music Fees, etc….


Micro-Budget Filmmaking…Here’s the Producing Bottom-Line:

When you heard that a feature film was “shot-for” $20,000-$30,000 they probably aren’t lying.

But the actually movie that you see in a Movie Theater, either transferred and/or blown up to 35MM, to include timing and color corrected for a quality DCP, with all music rights secured and insurances, to include E&O, paid for probably cost the distributor between $100,000-$200,000… or at least that is what they are going to tell you just after distribution when you are now caught in their web of “creative bookkeeping”.

Bottom-Line: You made a movie. Be it Shot-For or Totally finished… you made a bloody movie, with a Beginning, Middle & End with minimal bucks, a relatively inexperienced crew, and little-to-no rehearsal, with actors who were barely paid… Wow.


You have started your career.


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One comment on “$20,000-$30,000 FEATURE FILM (AKA: Shot-For)”

  1. zameer Ahmed

    Dear Respected sir,
    Zameer is here from Beaumont Texas.sir am ere on Business visit basically am from pakistan.Its my 2nd Toure to USA…am happy coming here again like past….sir am a poet and writer (urdu language)…..i wish to creat a movie by your help in which i want to mix shooting some scenecs from pakistan and some from here…..is this possible to make this film in the budget of $20000 to 30000$? and to get this ready within 6 months? i will wait for ur kind reply sir..

    best regards
    stay blessed
    Zameer Ahmed
    Master media communications

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